Elizabeth Connell

Elizabeth Connell is recognised as one of the world’s leading dramatic sopranos. Following her début at Wexford Opera Festival in 1972 she sang at the opening of the Sydney Opera House in War and Peace in 1973 and has continued to have a special relationship with Opera Australia ever since. Following a five-year association with English National Opera she has been a freelance artist with the major opera houses.

She has appeared at the opera houses of London, Paris, Vienna, Berlin, Munich, Hamburg, New York (Metropolitan Opera), San Francisco, Milan (La Scala), Naples and Geneva in a wide repertoire including Lohengrin, Tannhäuser, Der fliegende Holländer, Tristanund Isolde, the Ring, Elektra, Ariadne, Nabucco, Macbeth, Attila, Don Carlos, Fidelio, Jenufa and Peter Grimes. She has had a successful collaboration with conductors such as Abbado, Muti, Sinopoli, Giulini, Sawallisch, Mackerras, Downes, Sir Colin Davis, Maazel, Levine, Ozawa and Elder. She has sung at the Bayreuth , Salzburg, Orange, Verona and Glyndebourne Festivals.

In concert her performances have included Beethoven’s Ninth Symphony in London with Claudio Abbado, Missa Solemnis in Florence with Carlo Maria Giulini and Mahler’s Eighth Symphony with Maazel, Sinopoli and Boulez. She has also sung in Euryanthe in London and Oberon in London, Tanglewood and Rome. In recital she has appeared with Geoffrey Parsons, Graham Johnson, Eugene Asti and Lamar Crowsen in Milan, Geneva, Sydney, Johannesburg and at the Wigmore Hall. She has recently sung Strauss’s Four last songs with the London Philharmonic Orchestra and the West Australian Symphony Orchestra.

Her many recordings include Rossini’s Guillaume Tell(Decca/Chailly), Mahler's Eighth Symphony (EMI/Tennstedt), Mendelssohn's Second Symphony (DG/Abbado), Franz Schreker's Die Gezeichneten (Decca/Zagrosek), Donizetti's Poliuto, Verdi's I Due Foscari (Philips/Gardelli), Schönberg's Gurrelieder (Denon/Inbal), Wagner's Lohengrin (Philips/Friedrich) and Schubert Lieder with Graham Johnson, as part of Hyperion’s Complete Schubert Edition.