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Special notice


The Hong Kong Philharmonic Orchestra, Music Director Jaap van Zweden, our Board of Governors as well as the administration put the health and well-being of our audiences, players and staff at the forefront of our priorities. Like most cultural organisations, we have made major adjustments to our regular activities in order to accommodate these exceptional circumstances. 

We continue to liaise closely with our performance partners and venues to ensure appropriate arrangements for the remainder of our 2019/20 season. Please visit our website and Facebook page for relevant announcements. 

We very much look forward to seeing you in our concert hall in the near future, sharing our exceptional music-making and the energy that you, our audience, brings to each performance. In the meantime, stay home and stay well.



“You’re hearing one of the best Wagner orchestras in the world.”

Geoff Brown, The Times

“Jaap van Zweden: Lord of the Hong Kong Ring.”

Jo Litson, Limelight

Götterdämmerung was his [Jaap van Zweden] crowning glory and, by most measures, a phenomenal success.”

Alan Yu, bachtrack

“The Hong Kong Ring is pretty good, easily equal to many other Rings, and much better than some.”

Josh Roland , Classical Iconoclast

“[The HK Phil] with playing emotionally consistent and dramatic tension finely calibrated. Whatever Van Zweden has been doing, his musicians can now go the distance.”

Ken Smith, Financial Times

“It is fair to say that what started as a very competent sounding orchestra in 2015 has now evolved into an excellent Wagner vehicle… Music Director Jaap van Zweden has created a strong, confident and surprisingly warm sound. The orchestra was nuanced throughout, bombastic when necessary, and van Zweden moved it ahead at a healthy clip that was always engaging, never lagging and frequently sensational."

Philip Eisenbeiss, Interlude

“It is nothing short of a wonder that music director Jaap van Zweden has, within a few years, transformed the Philharmonic into a Wagnerian orchestra to be reckoned with, whose lush sound and technical finesse, not to mention the musicians' fierce sense of dedication, were again very much in evidence in this second performance on January 21…While van Zweden may not be the most individual interpreter of this music, his pacing was unerringly right, with orchestral balances perfectly calibrated and the architecture of the music firmly within his command. It was a magisterial rendition that faithfully revealed Wagner's score in all its glory.”

Vincent Lau, Classical Net